Friday, March 27, 2015

Places we call home


 First sighting -- coming home
(work in process)
Acrylic on watercolour paper
10.6 x 13.8 inches
Barbara Muir © 2015
I am  rooted in Toronto, Canada, but if
I visit another city or town, even in another
country, I can start to feel at home in
two weeks.  That's happened in
England, Sweden, Italy (especially
Italy), France, and the U.S.

But the place in my painting tonight
near Pugwash, Nova Scotia, in Canada's
Maritimes is in a different league.  I've
been visiting for almost 20 years, counting
the views on the way out, like clues in a game
called "getting closer," and on the way back
to Toronto, in a profound series of goodbyes.

This view is poignant both coming and
going.  It is iconic of home.  I'm
still working on the painting, but getting there
and very much enjoying the process.

Have a feeling-at-home-anywhere day.

Wednesday, March 25, 2015

Proud like egg lady


 Like birds in flight
(work in process)
Acrylic on watercolour paper
10.6 x 13.8 inches
Barbara Muir © 2015
What?  There used to be a woman who lived
down the road from our school house in
Nova Scotia, who raised chickens and sold
eggs.  She didn't sell them every day, but
once in a while, and they were a tremendous
treat.  That lady was so proud of her chickens.
She knew everything about the breeds of her
chickens, and why they gave such good eggs
 -- it was a pleasure to hear her talk about them.
Plus the birds were beautiful and her rooster
woke us up every morning.

So I was wondering tonight how we can know
that people raising livestock for sale, or
vegetables, or sewing quilts, are proud of
the artistry of their work, and want to sell it,
and why people don't make the same connection
with artists.  We are supposed to be like some
strange cult who love to make things so much,
that that's what we do.

But here's a secret.  We also want to sell that work.
Not all of us.  There are hoarders, and people
who are too shy to put it out on someone else's
walls, and people who just make art for fun.
But the majority of us I'd go so far as to
say, want to do the work, and like egg lady, or
the health food store lady who took over
egg lady's property, and was infinitely
knowledgeable about herbs -- we want to
sell the work we're passionate about.

If anything strikes your fancy, you can
contact me at the email address above.
And for you my wonderful blog
audience -- no pressure.  I'm not
going anywhere (well New York, and
maybe Paris, but I am still here).  I say
this small piece in support of all the
artists on my blog list -- and all of them
need to eat.

Have a buying-your-eggs-from-an-egg-person day.

Tuesday, March 24, 2015

I'm just playing with you!


 The King's Breakfast
(work in process -- the thought stage ;-)
Acrylic on canvas
24 x 24 inches
Barbara Muir © 2015
I wish that was true.  Painting is play, but
sometimes it's also pretty serious.  When
I went to bed last night, I was not happy with
with the white tablecloth background -- then I dreamt
of a great solution.  Although somewhat abstract
this painting is about a real meal, the disarray on
the table was how it really was -- this is the romance
of two people in the middle of breakfast.

But the colour was not working.  So I decided to put
a cloth that wasn't there into the painting -- voila
-- the blue.  I'm happy with it so far, but it may become
a runner and go from one end of the painted table
to the other.  I'll keep you on the scene.

Have a working-on-playing-with-art day.

Sunday, March 22, 2015

Speak to me about art -- but keep it real!

Surrounded by flowers
Black marker and watercolour
on watercolour paper
(work in process)
9 x 12 inches
Barbara Muir © 2015
 I was going to call tonight's blog -- "Don't shoot
me red." Why?  I am a bit tired of the idea that the
paint dictates what we do on the canvas or paper.
Really.  Maybe that's why a red ground appeals
to me so much -- because I have a big jar of it and
it begs to play.  (Note: I'm talking about an unfinished
painting I'm not showing you here -- yet.)

I don't think so.  I think I decide -- Huh maybe some
red, and then maybe I fall in love, and get seduced
by it, and spend the rest of the painting trying to
decide -- should red get to show here, or not.  But I
think I decide.  Perhaps I'm crazy.

Now take someone like David Lobenberg.  He keeps
it real.  He's a great painter, but he's not all up his own
inflated ego explaining his oeuvre.  No he's trying to
teach you how to catch on to his magic (without
ever calling it that.) 

Tonight I tried a "California vibe" style watercolour
of a beautiful girl who visited the other day and far
outshone the spring flowers.  Limited to a very
smooth paper -- (in watercolour the paper definitely
should make some of the decisions, and smooth is
not ideal), I tried colours I would never use without
watching David paint on one of his DVDs.

He may be embarrassed to hear I named him as
inspiration for trying this out.  But I had fun -- and
ultimately that is what it's all about.

Have a having-fun-painting day.

Saturday, March 21, 2015

Spring artists' birthdays


 Liza and me in the studio
It's my friend Liza Hirst's birthday today --
one of my first blog artist friends.  It's
so wonderful meeting friends who you
develop a friendship with through this
unique art community.  This picture was
taken when Liza came to visit me in
Toronto in 2012.  It was a truly wonderful
evening.

I think Liza, and Laurel Daniel
whose birthday was yesterday, and any
other artists who have birthdays at this
time of year are blessed.  It's the beginning
of spring, it was just The International Day
of Happiness on March 20.  What a
great time of year to be born! By the way
I haven't met Laurel, but I'd really like to --
and I will one day.

Have a celebrating-your-artist-friends day.


Thursday, March 19, 2015

Happy Spring and my favorite kind of day

 Parrots for Peoria
Acrylic on watercolour paper
10.6 x 13.8 inches
Barbara Muir © 2015
(Thanks to Howard Wolinsky
for the name.  I believe he
wanted peonies, but they're
not available here yet!)
This was an all art day -- my favorite.  I worked on
one of my big paintings that's filled with detail --
so slow.  Plus I worked on this tulip painting to
celebrate the first day of spring.

A beautiful young woman, a friend's daughter, came
to model for work I'm doing for an upcoming show,
and I organized my material (finally) for my part in
a group show in New York in May!

I need lists for my lists -- but what a good feeling
when some of the ideas on the lists get accomplished.
Happy Spring, and to my friends on the east coast I
wish an end to snow, and a slow easy melt into a
gorgeous spring.  You deserve it!

Have a welcoming-spring-day!

Sunday, March 15, 2015

Family love


Woman sewing
Charcoal on Moleskine paper
8 x 10 inches
Barbara Muir © 2015

How wonderful it was to have my family
together for our St. Patrick's Day dinner
tonight (two days early, but we had
to fit everyone's schedules).  The house
was quickly switched from Valentine hearts
 to shamrock decorations, and we enjoyed
a lovely meal together.

I missed my mother who we used to
call on St. Patrick's Day so she could
sing,"When Irish eyes are smiling," to
us.  I've been thinking about the power of
image. When I look at a photo or a painting
does it feel like the person is present?

This little drawing is loosely based
on a photo by my father of my mother
sewing. The Irish side of my mother's
family was actually French.  Complicated.

Have a loving-your-family day.

Portrait Artist

My photo
Toronto, Ontario, Canada
I paint and draw on commission and for shows. To commission a portrait, or purchase one of my paintings please contact me at: barbara.muir@sympatico.ca
A major highlight in my career? Drawing Oprah Winfrey live via Skype for her show "Where in the Skype are you? Galleries: Studio Vogue Gallery, Toronto, Canada. The Amsterdam Whitney Gallery, New York City. Gallery at the Porch Door, Kingston, Canada. Your positive comments on this blog mean the world to me. I'd love to hear from you!